Lorelle Meets the Obsolete: De Facto (Sonic Cathedral)
Mexican psych stalwarts return with a strong new entry to their catalogue
Released Jan 10th, 2019 via Sonic Cathedral / By Richard Lewis

Written principally around synth lines and drum patterns and tracked in one room as a quintet with Fernando Nuti (bass), Andrea Davi (drums) and José Orozco (synths), the propulsive grooves recreate the hypnogogic atmospheres of the group’s live shows. Lead single Ana and the descending synth lines of Inundación possess the chilly synth swept vibe of Bowie’s Low, transplanting Cold War era Berlin to far sunnier climes but losing none of the edge. Unificado begins akin to Spiritualized’s vast Ladies & Gentlemen closer Cop Shoot Cop, a soft patter of drums and a recurring guitar figure that changes tack four minutes in as the vocals give way to an oscillating motorik groove.
Superb second single Linéas En Hojas is vaguely redolent of early New Order with its scrawled guitar line and gliding melody while Resister where the guitars are pushed into the foreground has the ramshackle vibe of US indie rock. Acción – Vaciar is sinister post punk that alternates between a spidery guitar riff and upbeat synth led choruses, elsewhere the expansive alt. pop of Lux, Lumina is the sound of Stereolab being tempted over to the dark side.
Synth drone El Derrumbe provides the bridge into La Maga, a suitably hypnotic conclusion that ebbs away after ten mesmeric minutes with the sound of waves lapping on the shore. Five albums in, De Facto adds an impressive, slow burning new addition to Lorelle Meets the Obsolete's reputation as psych stalwarts. 4/5
Follow Bearded on...