Album Reviews
SANAM: Aykathani Malakon (Mais Um)
Genre mashing Beirut outfit deliver outstanding debut set
Posted on Feb 12th, 2024
bdrmm: I Don’t Know (Rock Action Records)
Imperial Bedroom: Lauded shoegazers ring the changes with slowburning second album
Posted on Oct 6th, 2023
Arthur Russell: Picture of Bunny Rabbit (Audika Records)
Late, lamented avant-disco legend makes deeply introspective, one-of-a-kind music for himself alone…if we keep quiet, we may be permitted to eavesdrop…
Posted on Sep 16th, 2023
Seas of Mirth: Kriller (Eelshock / Sentient Rash / Post Music)
Underwater-themed party fiends return with more wonky, funky jams
Posted on Sep 13th, 2023
Juan Wauters: Wandering Rebel (Captured Tracks)
Emigre singer-songwriter strikes gold with witty and playful acoustic-based collection
Posted on Sep 11th, 2023
Baxter Dury: I Thought I Was Better Than You (PIAS Le Label / Heavenly)
Seventh time around Dury creates his own masterpiece, a perfectly realised mix of gleaming nocturnal grooves and next-level wordplay
Posted on Sep 8th, 2023
Robert Rotifer: Holding Hands In Petropolis (Gare du Nord Records)
Classy set from multi-hyphenate Austrian broadcaster and musician features lyrics to die for
Posted on Sep 7th, 2023
P.G. Six: Murmurs and Whispers (Drag City)
Visionary US singer-songwriter combines intriguing range of influences to create magical, spacious post-folk
Posted on Sep 7th, 2023
The Boo Radleys: Giant Steps (Two-Piers) (Reissue)
Indie rock melodicists update psychedelia for the 90s in their ambitious, genre-defying masterpiece
Posted on Aug 23rd, 2023
Wye Oak: Every Day Like The Last: Collected Singles 2019 2023 (Merge)
Stand alone singles and new material combined on US alt. rock notables latest
Posted on Aug 16th, 2023
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