Munk - The Bird And The Beat (Gomma)
Ignore the chinstrokers and trainspotters… dance music is supposed to be fun, dammit. Just when you thought there was nothing new to say with a 4/4 beat, here comes Munk to get us smiling and grooving again.

A host of female vocalists lend their own flavours to tunes that run the gamut from hands-in-the-air Ibiza terrace anthems ('La Musica') to freaked-out torch songs ('So Close'). This is all killer, no filler: unlike some DJ’s artist albums, there are no bloated ‘ten-minute ‘explorations’, just great grooves, eclecticism, hooks aplenty and a quirky sense of humour that keeps things just weird enough.
Some seriously nifty production ensures that every track has a host of tasty details to keep you interested. While the album is rooted in classic house and funk, there are nods to old-skool and acid, handclaps, uber-funky choppy guitar riffs, Latin polyrhythms and more lovely synth sounds than you can shake a glow-stick at.
'Can I Have Your Attention?' propels us onto the dancefloor, a jazzy slice of prime disco/house with epic strings and whining P-funk synths. 'La Musica' is the most obvious chart contender – leave your brain behind as the spacey keys and scatting female vocalist get us ready for take-off. 'No Moon (…Over Kuala Lumpur)' continues the Now That’s What I Call Ibiza vibe, a beach party stormer with those classic ’89 piano chords and singalong chorus: “the stars, the moon, a smile…â€
The record never loses the funk, but branches out to take in house party weirdness (the somehow super-catchy 'Kitchen Call'), extreme rudeness ('Mi Labios'), malfunctioning computers (the closing 'Dort' ), and a few more thoughtful downtempo moments.
There’s a lot going on in these tracks, but Munk still makes them as catchy as hell. This is eclectic, emotional future soul - pretty much the perfect combination of art and commerce. Yep, Munk’s got the funk.
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