Alva Noto & Ryuichi Sakamoto - TWO Live at Sydney Opera House (N-046)
Electro pioneer and soundtrack composer unite to create Kosmische tinged performance
Released Nov 15th, 2019 via Boomkat / By Norman Miller

Though less well-known, German musician Carsten Nicolai – aka Alva Noto – has teamed with Ryoji Ikeda in the group Cyclo, written an opera with Michael Nyman, and holds down a job as an art professor in Dresden.
The duo teamed up in 2015 to work on the film score for The Revenant, but for this live collaboration they dive into a mix of drone and bleep that finds its groove neatly with the opener Inosc – a blend of ebbing and rising high-pitched electronics like a finger run around a glass rim, a distant drone and sweetly resonant glockenspiel-like sounds.
Trioon II blends drone with languid piano, Berlin is a thing of disjointed beauty riding on quickly alternating pulses and prepared piano, while Morning + Iano blends keyboard patterns, drones and a hypnotic thrum of pretty pulses.
Propho, meanwhile, breaks the mould by channelling the spirit of German 1970s electronic pioneers Tangerine Dream – think an out-take from an album like Phaedra.
With music like this, of course, there's always the risk of ideas that don't really grab hold - where electronic sounds sound just like electronic sounds rather than anything interesting. Which is the case here for a chunk of the second half of the performance here.
But things end magnificently with the beguiling head-bobbing hypnotic weave of Naono and a stirring performance of The Revenant theme – a sparse and eerie grand sweep mixed with jittery electronic washes. 3/5
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